JUNE 23, 2012
-
Read Later
READ LATERAvailable only to subscribers. SUBSCRIBE TODAY
-
Listen
ARTICLE AUDIO
- Font Size
Washington Diarist

IT TAKES ONE to know one, as we used to say in Brooklyn. Jeff Bezos, one of the most powerful gatekeepers in the history of gatekeeping, had the effrontery to rhapsodize not long ago about “eliminating all the gatekeepers.” The eliminationist rhetoric was consistent with the monopolistic inclinations of his company. “I see the elimination of gatekeepers everywhere,” he hypocritically declared, referring no doubt to his fellow Internet oligarchs, whose codes and algorithms and policies and interests have broken new ground in the manufacture of gates. (Bill Gates.) Rarely has so much control presented itself as so much freedom. The destruction of gatekeeping by digital technology is one of the cherished myths of our day. The inebriated literature about the Internet is riddled with this illusion, which diverts attention from the uncool fact that the promise of anarchy and equality was swiftly usurped by the appetite for power and profit. Every revolution exaggerates its discontinuities. This is not always a bad thing. Gatekeeping, after all, is merely an ominous term for the exercise of judgment and the expression of preference. Curating is gatekeeping. Aggregating is gatekeeping. Running a website is gatekeeping. As for marketing, it thrives by the manipulation of desire online and off. All these activities require definitions and decisions. All include and exclude. And why would one want to enter a realm that had no standards for entry? Distinction, after all, is a consequence of selection. It was the apostle Matthew who established the difference between the strait gate and the wide gate: “wide is the gate, and broad is the way, that leadeth to destruction,” whereas “strait is the gate, and narrow is the way, which leadeth unto life.” The better dispensation must be earned, as a matter of merit. Levels will be established. Recently I came upon a short oppressive work by John Bunyan called The Strait Gate, or Great Difficulty of Going to Heaven (it has the charming subtitle, “Plainly proving, by the Scripture, that not only the Rude and Profane, but many great Professors, will come short of that Kingdom”). “A gate, you know, is of a double use;” the pietist wrote, “it is to open and shut.” He was right. If the gates of heaven were open to all, it would not be heaven. It may be protested that they are open to too few, that the criteria for admission are unjust—modern religion has sought to widen the narrow gate; but whatever the theological basis for the higher gatekeeping, the collapse of distinctions of effort and effect would make a mockery of human striving. Even in the digital empyrean, people strive.
THE GATEKEEPERS whom Amazon especially detests are editors and publishers. Bezos’s letter to his shareholders this year was full of testimonials to Kindle Direct Publishing by writers who (in the words of one) “get their work in front of readers without jumping through insurmountable hoops” and (in the words of another) “blow through all the traditional gatekeepers.” I am glad that they are happy. Also I have no doubt that the traditional system of book publishing makes mistakes. The history of taste and reputation is replete with the rejection of talent. But that is not the only mistake that publishers make. If there are unwarranted exclusions, there are also unwarranted inclusions. Too many of those hoops are surmountable: just walk into a bookstore, if you can find one. Perhaps this is the injustice against which the digitals have rebelled: it seems arbitrary to publish one man’s junk but not another’s. In the case of unwarranted inclusions, the problem lies not in the success of gatekeeping but in its failure. For the editor’s interference with the writer’s spontaneities, the editor’s resistance to the writer’s satisfactions with his own work, is a service to the writer. “Direct publishing” is shabby publishing, because it rejects the improving influence of editorial animadversion. Bezos boasts that his “powerful self-service platforms” at last “empower others to unleash their creativity—to pursue their dreams,” but writing is not primarily an affair of self-service (Auden blessed the imposition upon writing of rules that “force us to have second thoughts, free from the fetters of Self”) and creativity is no assurance of quality, and all dreams are not equally interesting. Amazon’s list is notable mainly for its mediocrity. There are many such lists in the good old physical world, too; but the “Amazonians” should lose the liberationist crap, because so far they have made advances in commerce but not in culture. Their Miltons are no longer mute but they are still inglorious.
INCOMPETENT GATEKEEPING is indeed hard to suffer, as Anna Wintour’s Syrian adventure, the latest chapter in the long history of fashion’s bewitchment by fascism, illustrated. Trying to post her way out of a disgracefully adoring profile of Bashar al Assad’s wife, with photographs sadly by James Nachtwey of the dictator who would kill children playing with children, the editor-in-chief of Vogue fatuously stated that “subsequent to our interview [in 2010], as the terrible events of the past year and a half unfolded in Syria, it became clear that [the Syrian regime’s] priorities and values were completely at odds with those of Vogue,” that famous organ of freedom and democracy. Of course there was nothing about the Assads before 2010 that should have elicited anything but repugnance. And the callow writer of the piece accurately represented the values of the magazine when she explained that “Vogue is always on the lookout for good-looking first ladies” and the tyrant’s wife is “extremely thin and very well-dressed and therefore qualified to be in Vogue.” You see, they were in over their heads. They should have stuck to the worship of red-soled shoes. Wintour gave gatekeeping a bad name, because she was keeping a gate that she is not qualified to keep. About untrivial matters she lacks authority, I mean inner authority. The war against gatekeeping is finally a war against authority. Or a war against me: I am one of the villains who keep some out and let some in. I confess that I make no apologies for my exclusions. I can defend my reasons, and my severities, and my conception of my responsibilities, and my sense of the stakes. The authority that I claim is owed to more than the accident of my appointment. But I am here to say that the deepest pleasures of my position are the inclusions. Happy is the keeper of the gate, because he can say: welcome.
This article appeared in the July 12, 2012 issue of the magazine.
14 comments
This is a very strange piece of writing one of the few articles by LW that I thought should have been severely edited down. He is right to criticize Vogue for their sickening spread idealizing the Assads of Syria. He is also right about Amazon's tendency to monopolize (he could have mentioned Apple as well as Microsoft) but these digital companies do have competitors and will have more in the future. However, what does this have to do with theology other than his playing with the concept of "gate keeping?" "It was the apostle Matthew who established the difference between the strait gate and the wide gate: “wide is the gate, and broad is the way, that leadeth to destruction,” whereas “strait is the gate, and narrow is the way, which leadeth unto life.” The better dispensation must be earned, as a matter of merit. Levels will be established. Recently I came upon a short oppressive work by John Bunyan called The Strait Gate, or Great Difficulty of Going to Heaven (it has the charming subtitle, “Plainly proving, by the Scripture, that not only the Rude and Profane, but many great Professors, will come short of that Kingdom”). “A gate, you know, is of a double use;” the pietist wrote, “it is to open and shut.” Does he see Bezos or even the editors of Vogue trying to take the place of these other mythical gatekeepers? LW has given us a theological repudiation of monopoly practices. Too bad for him that most readers of TNR are not religious and his brilliant irony will be lost on us.
- arnon1
June 25, 2012 at 7:20pm
Who will guard the guards themselves? -- Roman poet Juvenal. Who will straighten out the gate keepers? Amongst all the super-literate TNR cmpsts, who can translate this into faultless Latin? He is also right about Amazon's tendency... What about Google, perhaps more dangerous than AmaAppMic?
- skahn
June 25, 2012 at 9:28pm
College without classrooms. Books without editors. Progress? I'm with LW on this one. And I'm with Ms. Sullivan too. Alan Wolfe says LW is America's best editor. I suspect that Mr. Wolfe could avoid the gatekeeper if he chose; but a wise man he takes the proven if contentious path. As Messiah Jesus established (a quibble), “strait is the gate, and narrow is the way, which leadeth unto life, and few are they that find it.” LW most certainly should not have omitted that last clause.
- rayward
June 26, 2012 at 7:39am
I wonder what will happen when AI comes along, will there be editing programs with abilities that far exceed people like LW? I remember years back working at a Printing company a man self published his own adventure novel and a benefit for working there was getting free books. The story was wonderful, I literally read the whole book through in a single day, but lord did it need a good editor.
- blackton
June 26, 2012 at 12:28pm
I think Leon protests a bit too much. Sure there is a lack of "editorial" gatekeeping in the self-publishing world but there always has been. Just as there is a lack of "producer" gatekeeping in the DYI world of music & 'autotune' and other areas where creative people orbit and where the least creative people wish to orbit. Even the best gatekeepers let a sinner through every once in a while. The pious call that redemption. How else does one explain the existence of Dan Brown or Nicholas Sparks or Kenny Chesney or Britney Spears? Just think Leon if everyone had to get licensed to be a 'writer'. Even in my lofty profession I face competition with would be "designers" that think they can create architecture because they manage to draw a really bad house plan (burn you contractors! burn!). However, people realize quality. It might take them some time to realize it or admit, but eventually they realize that the best things are not created so quickly or cheaply. Then again...there are people who just really dig low-brow stuff. But if one is serious in their craft or at least wants to be good at it, they fully understand that there are no shortcuts to creating something worthwhile and lasting. Something that contributes to the greater cultural wealth of humanity takes time, effort and hard work. Don't let the junk culture get you down and don't let the 'gatekeepers' like Bezos, who've cut the fence down but left the gate standing, get you down either.
- singlspeed
June 26, 2012 at 5:11pm
I don't believe that the problem with monopoly is merely "gate-keeping."
- arnon1
June 26, 2012 at 5:36pm
"However, people realize quality. It might take them some time to realize it or admit, but eventually they realize that the best things are not created so quickly or cheaply. Then again...there are people who just really dig low-brow stuff." Interesting speculation about the realization of quality. The acid test is will the person who loved a Nicholas Sparks novel want to reread it a year down the road? Will she or he want to listen again and again to Britney Spears? We all know what quality is and we know it the moment we are faced with what we have already read or seen or heard a second time, and for some a third time. In other words, we are all our own "gate-keepers." In this sense a good definition of hell is being forced to repeat endlessly what we fed ourselves once and hated the next time around.
- arnon1
June 26, 2012 at 5:46pm
Vor dem Gesetz steht ein Türhüter.... This is a little disingenuous, I think. Bezos and his ilk are not lacking in criteria, nor are they failing to strive. The problem is that their criteria are entirely quantitative. The vindication of those writers who circumvent the gatekeepers and get their tales "in front of readers' eyes" is always that endless millions of readers then consume the tale (since it makes no demands on them they haven't already internalized) and endless millions of dollars measure their enthusiasm (since they have no other way of affecting their culture). That's the authority they claim - the vague amalgamation of mercantile demand and democratic legitimacy (vague because oblivious to the inner contradiction between these two). The authority you claim - to the extent that it does go beyond the prerogatives of your office - is quite invisible to most of the world. A legislator may be unacknowledged, but when the legislation is also unacknowledged, it's hard to agree that he's a legislator at all any more. You can't get out of that decadent situation by pretending that really the standards you represent are secretly at work among hoi polloi. This comment, by the way, was meant only for you. Ich gehe jetzt und schließe ihn.
- rmutt
June 26, 2012 at 9:12pm
Bunyan's view of heaven seems harsh. I prefer Sanhedrin (10:1). "All Israel has a share in the world to come", which I think in our time can be reasonably read as "All people have a share in the world to come". However, Wieseltier certainly has every right to be proud of his work as a gate-keeper at TNR for the last 30 years.
- ErnestDavis
June 26, 2012 at 11:22pm
"However, Wieseltier certainly has every right to be proud of his work as a gate-keeper at TNR for the last 30 years." LW is a great editor. That should suffice. Editors are not gate-keepers. A gate-keeper follows instructions on who to admit an editor makes up his own mind based on certain known standards. Bezos doesn't just keep the gate he owns it and makes his own rules based on business principles and not literary or aesthetic ones.
- arnon1
June 27, 2012 at 12:09am
Methinks there is a fundamental and abiding logical error at the heart of this odd piece and running through it. I've had too tough a working day today to try to sort it out here right now but maybe, more relaxed and revivified, I'll take a crack at it anon, perhaps tomorrow.
- basman
June 27, 2012 at 12:14am
Arnon...true we are our own "gate keepers" and arbiters of taste. Often times it's the tangible aspects of quality that people come appreciate only after they've encountered substandard fare. While this is true of physical objects, it become less clear about what is 'quality' when applied to literature or music or movies. I read an article about the first design of the ipod and they added lead weights to the prototype to give it the feel of quality. Too lightweight and the object feels cheap. That sense of quality is tenuously definable. So I think your point is spot on about whether or not one will re-read Nicholas Sparks' latest book in ten years or whether you will savor the Britney Spears' classic song 'Womanizer' over a nice Chianti on your hi-fi system upon your deathbed. Sure there are the moments of pop culture and fashion that we enjoy as disposable distractions but the mark of quality is whether the object/art/piece of music/book holds something intangible for you / us that we keep it around, treasure it, turn it into an icon, embellish it with memory and emotional weight. Just as I treasure my version of Don Quixote with Dore prints over the disposable fiction of Dan Brown, I recommend the former over the later to those I know love reading but never ventured into the prose of Cervantes. Sometimes the 'gatekeepers' help us identify those jewels in the muck. Other times, we just have to accept that no amount of turd polishing will make Britney's oeuvre comparable to Frank Sinatra.
- singlspeed
June 27, 2012 at 1:06pm
"I read an article about the first design of the ipod and they added lead weights to the prototype to give it the feel of quality. Too lightweight and the object feels cheap. That sense of quality is tenuously definable." true for solid object we use. Tough as lightweight props become standard our weight perception will change including the metaphors we use to describe them. Weight isn't the only indicative or even the most weighty (pun intended) indicative of quality. "Often times it's the tangible aspects of quality that people come appreciate only after they've encountered substandard fare." Yes, there is a dialectical feel to questions of quality. "... it become less clear about what is 'quality' when applied to literature or music or movies." There need not be Kantian like "universal standards" quality for the individual to realize that he or she is reading, watching, isn't very good. Some movies before they are over make you wish you could see them again, and again. Others you know while being captivated by superficial effects tell you that you wouldn't want to see them again. Same with books or music. I have read Don Quixote and Middlemarch more than a dozen times and will probably read them that many times again. Same with Shakespeare and say Shy Agnon (a Hebrew writer) or Proust. However, great literature is rare, thank goodness. It would be exhausting if we had nothing but greatness in arts and letters. Every time I discover and excellent writer like, say, Vasily Grossman (Russian) I try to find reasons not to notice them. (Couldn't find any for Grossman whose "Life and Fate" left me breathless.
- arnon1
June 27, 2012 at 2:14pm
Maybe it's time to go back and re-read Zen and the Art of Motorcycle Maintenance by Robert Pirsig.
- skahn
June 29, 2012 at 1:15pm