James Johnson Sweeney

A Note on Abstract Painting
July 17, 1935

One of the points brought out by the exhibition of “Abstract Painting in America” held at the Whitney Museum last spring was the fact that between 1915 and 1935 a surprising number of American painters had turned to Europe for direction. A few of them came to understand the trends that painting was taking with their European contemporaries during that time quite thoroughly— in fact, were able to produce work along the same lines that might have passed without adverse comment in any group showing of avant-garde European work of its period.