Karl Kirchwey

Ostia Antica

Down the Decumanus Maximus             till the rutted cobbles give way, just as so many lives have gone before this,             past the stubs of the insulae, while each Airbus at Fiumicino            heaves itself aloft over the beach umbrellas in row on row           where the Tyrrhenian Sea laps, soft; and I, too, have felt Rome drop astern           of that imperative bound west, have settled back and been home by afternoon.           But this time I smell the dust and heat as I walk an open field           to Room 16, Trench 3, Layer 3 where he works, my tousle-headed man-child,        

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Body and Mask

In the Villa Doria Pamphilj,         I saw a carved plaque set into a wall,         quite unremarkable, just the usual lotto di putti, the contest between cherubs, but then I         saw that one of the two         had wriggled his way somehow inside the mask of tragedy,   the way a dog might flail blindly,         its forequarters stuck in a paper sack,         but more cunning than that, and not stuck, having crawled in deliberately   (in the same way an apprentice of Cellini         hid his lover inside a bronze head of Mars,         her nude flank like the whites of its eyes), the cherub’s

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July 20, 1969

Snail-track of jism? No, that was the moon     silvering the tongue-and-groove of floor,     my parents arguing outside on the stair, the primal "We should get a divorce" scene (sound up and over: from The Guiding Light).     I slept. I woke.

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The Names

"It satisfied desire and created desire."—DeVoto For my sister All night it kept up its music, the Boulder River, skirmishing across a shallow bed of stones beyond the cottonwood, Russian olive and poplar, the tangled mosquitoey woods where cattle browse.

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