The TV poster has evolved from marketing tool into artistic enterprise.
After much hubbub over the potential for Netflix to further shake up the television landscape with Emmy nods for its original programming, the dust has settled and “House of Cards” reliably prevailed. The series picked up nine nominations in big-ticket categories such as outstanding drama series, lead actor in a drama series for Kevin Spacey, and lead actress for Robin Wright. Already the headlines have proclaimed the onset of a new cultural era.
The news that juror B37 from the Zimmerman trial was signed by a literary agent—Sharlene Martin, persuasively described on her website as “the Jerry Maguire of literary agents” and tied to books written about the trials of Jodi Arias, O.J. Simpson, and Amanda Knox—was hardly surprising. But within hours the rumblings of outrage began.
The recent announcement that James Franco would be the subject of the next Comedy Central Roast has been met with general enthusiasm. “Why didn’t anyone think of this sooner?” wondered The Atlantic Wire. “You can add ‘good sport’ to Franco’s long list of titles!” said E!
Defense testimony for the Zimmerman trial, perhaps concluding Wednesday, has so far been something of a sideshow. A trainer from Zimmerman’s gym swaggered to the stand on Monday, described Zimmerman as “soft-bodied,” rated his fitness a 0.5 out of 10, and—feeling visibly awesome about his own athletic abilities—demonstrated a grappling move on the defense attorney.
The video released on YouTube several days ago by a group of amateur filmmakers in Hong Kong is the first of what will surely be many dramatizations of the Snowden saga. Paced like a thriller, it features the requisite pounding music and a few brisk shots of city skylines. It makes reliable use of cinematic details such as the Rubik’s cube that Snowden allegedly used to identify himself to Greenwald.
“Siberia,” the bizarre new series premiering Monday on NBC, is scripted horror drama framed as a reality competition show, which means that it replicates the thumping suspense and quick camera cuts of “Survivor” and “Fear Factor” and “The Amazing Race" plus supernatural elements a la “Lost” and the mortal stakes of The Hunger Games.
For anyone who has been following the news for the past 24 hours, watching the “Today” show this morning was a surreal experience. It was easy to forget that the main event of the broadcast was still—hours after a state senator had heroically talked nonstop for half a day to thwart a bill in Texas—the umpteenth apology of Paula Deen.
There has perhaps never been a more fashionable child than the five-year-old featured yesterday on New York mag’s The Cut, who—with the languidly bored face of a Brazilian supermodel—flaunts his stylishness in photo after photo: here he wears a bomber jacket and drop-crotch camouflage pants, there a Gucci belt and a blazer that looks tailored for a teddy bear, or a pair of combat boots and oversized shades.
In a piece published in the National Post yesterday, Alice Munro—hours after winning the Trillium Book Award for her short story collection Dear Life—told a reporter that she was “probably not going to write anymore.” “Not that I didn’t love writing,” she added, “but I think you do get to a stage where you sort of think about your life in a different way.