There is something beautiful and breathtaking about watching a hero of human rights make a clean getaway. The hero may go on to other troubles, and the shadows may triumph in the end. But not yet! Meanwhile, you catch a glimpse of that fleeting thing, freedom, as it goes loping around the corner. And the soul exults. The classic text on this most up-to-date of themes was written by Peter Kropotkin, the Russian anarchist, in his Memoirs of a Revolutionist, which he composed for The Atlantic Monthly in 1898 and 1899.
True story: I’m on the sunny sidewalk outside Sacha Baron Cohen’s The Dictator, and out of the theater saunters one of my fellow audience members, dressed in slacks and Islamic headscarf of a sort that is pretty conventional in south Brooklyn, and she doesn’t mind a casual exchange of views. “I have to tell you,” she says, “it was offensive to a lot of people.” She reflects a little more. “It was funny, though.” Her gaze falls on Court Street. “I laughed.” She laughs. “I loved it!”—and she breaks into a gloriously sheepish smile.
In the April 5 edition of The New Republic I published an essay called “The Thought Police” on Islamist campaigns to suppress independent thinking, as described in a Hudson Institute human rights report by Paul Marshall and Nina Shea. My essay listed a great number of reformers from Muslim backgrounds who have come under threat or have actually been attacked, with the names drawn largely from Marshall and Shea’s study. I mentioned in passing that Irshad Manji, a Muslim writer from Vancouver, Canada, had been threatened.
Silenced: How Apostasy and Blasphemy Codes Are Choking Freedom Worldwide By Paul Marshall and Nina Shea (Oxford University Press, 448 pp., $35) I. In spite of its slightly agitated title, this book is mostly a cool and even-tempered human rights report, and its findings go a long way toward explaining one of the mysteries of our time, namely, the ever-expanding success of political movements with overtly Islamic doctrines and radical programs. Some people may suppose that Islam itself, the ancient religion, mandates theocracy.
The Village Voice gives out theater awards called the Obies (for Off-Broadway), and during the 1980s the Voice’s theater department voted to bestow one of those prizes on the distinguished absurdist Václav Havel, who dwelled in the faraway absurdistan known as the Czechoslovak Socialist Republic. In their New York productions, Havel’s plays ran at the Public Theater, and everyone who kept up with the downtown scene knew them well. The plays were splendidly mordant.
The pictures of Muammar Qaddafi’s death have made me reflect, as they must have made many people reflect, on the equally gruesome images of Saddam’s death. Did Qaddafi himself think about Saddam, in those last minutes of his life? My question is speculative, but I do not think it is unreasonable. We do know whom Saddam was thinking about—if not at the moment of his execution, then certainly at his trial in Baghdad, when he came face to face with his impending fate.
I. MY ROLE ON September 11 was to be a reporter for The New Republic. I was in downtown Brooklyn, and from my rooftop I watched the first tower crumble, and then I ran downstairs to the street with pen and notebook and plunged into the crowds fleeing over the bridges. I spoke with one person after another, asking what they had seen. They told me. I compiled my report.
The Dominique Strauss-Kahn case is headed toward a dismally predictable shipwreck, and I wonder what anyone is planning to do about this. The punctilious fair-mindedness of the trial may well turn out to be obvious to everyone who grants the possibility of such thing.