Sarah Williams Goldhagen
Stopped Making Sense
May 07, 2008
To build a building is hard; to criticize a building is, by comparison, easy. For a serious critic, the impulse to write uncomplimentary things should always provoke a bout of preliminary introspection. Does one write from the lofty principle that truth must be spoken to power, or at least to fashion? Will the reader come away from this exercise in scorching criticism of buildings and urban spaces with a heightened appreciation for the built environment and its importance to our daily lives?
February 13, 2008
Meet Enrique Miralles, the real Frank Gehry.
August 27, 2007
Within fourteen days of each other, two rush-hour calamities: a bridge collapse and a steam-pipe explosion. In Minneapolis, a forty-year-old bridge along highway I-35W suddenly dropped sixty feet into the Mississippi River, killing at least five people and injuring approximately one hundred more. The federal government had deemed the bridge structurally deficient in 1990, which the Minnesota Department of Transportation acknowledged in separate reports issued in 2005, 2006, and 2007, after inspecting the bridge.
Sarah Williams Goldhagen on Architecture: Extra-Large
July 31, 2006
A FRIEND RECENTLY TOLD me that his most important pedagogical tool as an architect is this maxim: the architect's primary ethical responsibility is to be the guardian of the public realm, in contrast to the myriad others who currently configure our built landscape— clients, politicians, contractors, developers, and NIMBY-driven "community action" committees.
From the Stacks: Santiago Calatrava's Overrated Architecture
January 22, 2006
Spanish architect Santiago Calatrava has come under a storm of criticism, most recently in yesterday's New York Times, for ambitious projects that come in wildly over-budget and in need of repairs.