THE PLANK DECEMBER 29, 2009
No matter how critical Levine may be of the political and cultural power structures, his work is never savage. Unlike the work of Edward Sorel, it is not chilling. Nor does it possess Jules Feiffer's black humor. Levine's work even in its most strident attacks, is always a pleasing visual experience. He does not search for the weakest aspect of a face or body. Levine likes faces.