For five years the West has been baffled by the strange flight to Russia of Donald Maclean and Guy Burgess, two officials in the British Foreign Office. Both were in disgrace. Burgess had just been sent back from America after the British Embassy in Washington had been driven nearly mad by his drunken behavior and incompetence. Maclean, son of a puritanical Scotsman who was at one time a Minisiter in a Liberal Government, was under far graver suspicion.
Only an act of God can keep Herman Talmadge out of the United States Senate," is the way a Georgia politician sums up the situation in his state. No active opposition of consequence to Talmadge has shown up. It is safe to say that nobody of political consequence cares to dispute the right of way with "Hummon." This is startling, in view of Georgia's history of bitter factionalism—startling until one realizes that there is now but one faction, due to the domination sedulously built up by Talmadge in the decade since his father's death.
To Catch A Thief is supposed to be a mystery having to do with the exertions Cary Grant must make as a famous jewel thief who has retired and is unjustly suspected of having resumed his vocation. The real mystery is how the product of Hitchcock’s direction, given such care, toil and intelligence, could be so poor. Jessie Royce Landis gives a remarkable performance as the heroine’s mother, and Danielle Lamar is more than remarkable, when the script permits her to be.
“Washington Wire” by T. R. B. “When the Big Four Meets” by the Editors “The Prosecution Rests” by Elizabeth Donahue “Nobody Won at Bandung” by David Landman “Freedom to Hammer” by Ridgely Cumings Books and Comment Theatre Correspondence