The Adams Papers: Volumes I through IV, Diary and Autobiography of John Adams L. H. Butterfield, editor (Harvard; $30) The Papers of Alexander Hamilton: Volumes I and II Harold C. Syrett, editor (Columbia; $25) In 1950, when the Princeton University Press brought out the first volumes of Julian Boyd's edition of the Jefferson papers. President Truman asked the National Historical Publications Commission to consider a publication program for other American heroes.

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He Was a Man of Principle

Headline, New York Times, September 10, 1962:  GENERAL WALKER SEIZES CAPITAL;    TANKS CIRCLE THE WHITE HOUSE;       NEW JUNTA PROMISES ELECTIONS From a “Letter from Washington, The New Yorker, September 22, 1962. Even in this blasé capital, there were some eyebrows raised by the whirligig of events that have made Major General Edwin A. Walker the provisional President of the United States until—or so his aides inform us—new elections are held in 18 months. That the army had become increasingly involved in the perturbations of politics had been known.

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Tropic of Cancerby Henry Miller(Grove; $7.50) Henry Miller's Tropic of Cancer is now published in this country in an unlavish edition of 518 pages set in big type at a price of $7.50--and this in spite of a large first printing. The interest of the price is that here it relates to the content of the book--not, as is usual, to its length or format. The publisher knows that the public knows the book's reputation and is willing to pay much more than is currently charged for books of similar production cost. This gives, from the start, a different atmosphere to its publication.

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Back to Berlin

It did not take long for the Presidents of the United States and France to find a "complete identity of view" on the need to resist any encroachment on the freedom of or access to West Berlin. Presumably that view will be accepted happily by Chancellor Adenauer and, perhaps with more reluctance, by the British Prime Minister. This is gratifying news, though its precise meaning is not yet known.

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  TRB from Washington The Week “Commitment in Saigon” “Lifting the Minimum Wage” “Approaches to Civil Rights” “The Teacher Shortage” “New Threat to Consumers” “A Home for American Art” Articles “The Future of NATO” by Morton H. Halperin “The Queen and I” by Malcolm Muggeridge “What We Are Fighting” by Louis J. Halle “The Superficial Aspect” by Gerald W. Johnson Books and Arts BOOKS “Better Days or Mass Suicide?” by Daniel M.

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Some three years ago I wrote an article in the Saturday Evening Post on the English Monarchy. It aroused, at the time, a good deal of controversy and abuse, and even now I am occasionally asked whether I think Princess Margaret ought to have married Group Captain Townsend, or whether the Duke of Edinburgh is a good husband, as though I were some kind of expert on such questions. This is far from being the case. My knowledge of the Royal family is confined to what appears about them in newspapers and magazines.

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Some three years ago I wrote an article in the Saturday Evening Post on the English Monarchy. It aroused, at the time, a good deal of controversy and

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La Dolce Vita(Astor)A young idealist comes up from the provinces and is corrupted by the depraved city. This perennial theme now reappears in La Dolce Vita, surely the most loudly-heralded foreign film ever to be seen here. With many virtues, this latest Federico Fellini work suffers unfairly from advance blather; and suffers fairly by comparison with Antonioni's L’Avventura, which deals with some of the same matters.Corruption, or at least skill in rascality, is well under way when we first meet Marcello, a young Roman journalist.

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Rosenbloom: Taking her philosophy seriously.

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At last. Michelangelo Antonioni is an Italian director who has just made his seventh film and who is so highly esteemed abroad that there has already been an Antonioni Festival in London. For the eleven years of his career no Antonioni film has been released here. Now at last comes L'Avventura, which is the sixth of his works.The first ten minutes make it clear that this is the work of a discerning, troubled, uniquely gifted artist who speaks to us through the refined center of his art. We may even "like" this film, but those first ten minutes indicate that liking it is not the primary point.

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