To Catch A Thief is supposed to be a mystery having to do with the exertions Cary Grant must make as a famous jewel thief who has retired and is unjustly suspected of having resumed his vocation. The real mystery is how the product of Hitchcock’s direction, given such care, toil and intelligence, could be so poor. Jessie Royce Landis gives a remarkable performance as the heroine’s mother, and Danielle Lamar is more than remarkable, when the script permits her to be.
“Washington Wire” by T. R. B. “When the Big Four Meets” by the Editors “The Prosecution Rests” by Elizabeth Donahue “Nobody Won at Bandung” by David Landman “Freedom to Hammer” by Ridgely Cumings Books and Comment Theatre Correspondence
Since there has been so little detailed consideration, as yet, of the latest Russian disarmament plan, by the press or by responsible political leaders, the New Republic this week dispenses with its Behind-the-Headlines reports in order to present the following analysis and interpretation. AT THE summit, where Britain, France, the Soviet Union and the United States are soon to meet, the weather prediction from all sides is cold. The men who are to meet there share one condition: they are shivering. For its own reasons each government privately fears the encounter.
TODAY, some 20 years after the apparent unlamented demise of Technocracy, that doctrine is only just coming into its own—in our architecture. Architects, in collaboration with numerous home owners, businesses and universities (not to mention the U N), are producing numberless permanent monuments to the theory. Harvard University’s Graduate Student Dormitory, Illinois Tech’s Campus, Lever Brothers New York headquarters, and Massachusetts Institute of Technology’s new auditorium are only our premiere examples.
IN SOME underdeveloped areas overseas which have become crucial to the future of freedom, hundreds of millions of people toil with scant means which make it hard to maintain a bare standard of living and to resist Communist encroachment. In sharp contrast, the United States now possesses an immense reservoir of idle men and other productive strength, pleading to be used to meet our needs. Between now and the end of this year, we can bring more than 214 million unemployed and new workers—the most skilled and productive in the world—into the stream of usefulness.
It is a serious pity that one can only praise the film version of George Orwell’s Animal Farm as a valuable beginning or experiment, and hardly more than that. For the project, under the sponsorship of Louis de Rochemont, was clearly given the benefit of a great deal of intelligence, devotion and skill, to say almost nothing of the amount of money involved. The reviews in the daily newspaper have already pronounced the damnation of faint praise upon the film with a genuine kindness which will serve no purpose and certainly will not help at the box office. One can only hope that Mr.