A Painting, A Portrait
November 07, 2009
Rembrandt’s J’Accuse Film Forum The Maid Elephant Eye Films Peter Greenaway, the British director who was educated as a painter, first came to wide attention in 1982 with The Draughtsman’s Contract, a silky comedy about seventeenth-century aristocrats. Greenaway then promptly set out not to build on this success, undertaking one eccentric film project after another. It was almost as if he were determined not to grow cumulatively, as most of the best directors have done. Of the Greenaway works that I have seen, only two of them--quite unlike each other--stand out in memory.