Before 2013 begins, catch up on the best of 2012. From now until the New Year, we will be re-posting some of The New Republic’s most thought-provoking pieces of the year. Enjoy. ALONZO KING is not a celebrity. He is virtually unknown outside the dance world, and even to insiders he is something of an outsider, a choreographer-monk working away with a small troupe of devoted dancers in San Francisco. It is not that his work has gone unrecognized: he has won dozens of awards and made ballets for companies as diverse as the Alvin Ailey Dance Theater and the Royal Swedish Ballet.
It was in 1985 that the German film director Wim Wenders first saw the Pina Bausch dance company. He later admitted that he had had to be dragged to the event by a girlfriend. Though a lover of many types of music, Wenders was one of those who believed he simply didn’t get ballet or modern dance. But after a few moments of the performance, he was on the edge of his seat, so moved he was crying. He felt his life had been altered. Pina Bausch had been born in Dusseldorf in 1940 (that made her five years older than Wenders).