Andy Warhol

The Decline of the City Mahagonny
June 25, 1990

Robert Hughes explains how New York in the 1980s is *not* Paris in the 1890s. He gives a compelling account of the decline of the fine arts in America

Requiem for a Featherweight
November 21, 1988

Robert Hughes examines the career of New York graffiti artist Jean-Michel Basquiat, a story set against the city's new-wave scene.

Yada Yada Yada
October 10, 1988

Story of My Life By Jay McInerney (Atlantic Monthly Press, $16.95) Beware of a novel built upon a catchphrase. A flip curl eventually loses its hold. “Story of my life,” toss-away phrase for a toss-away life, is the signature curl of Alison Poole, postmodern boy-toy by night, aspiring actress by day. “Acting is the first thing that’s made me get up in the morning. The first year I was in New York I didn’t do anything but guys and blow. Staying out all night at the Surf Club and Zulu, waking up at five in the afternoon with plugged sinuses and sticky hair.

For Big Fish Only
July 09, 1977

Pisces obviously met a felt need among certain Washingtonians, because it was an immediate success. Nine-hundred people have paid $600 to join (the price goes up to $1000 next year), plus $180 annual dues. Non-residents and those under the age of 32 get special rates. "There are no barriers," Malatesta says. "Black, white, female, whatever. We have a fine black contingent." The older and stuffier clubs around Washington, like the Metropolitan Club (city) and the Chevy Chase Club (country) jealously guard their membership lists.

Familiar Faces
March 20, 1976

In times of political demoralization, caricature flourishes. It seems only fitting, then, that David Levine's gift for the visual barb should have emerged in the '60s. For a host of political caricaturists, Vietnam, Watergate, Nixon, Kissinger, student unrest, the drug culture, and the new morality resuscitated their metier. For Levine, there was one additional generative element —the creation of The New York Review of Books during the 1963 newspaper strike in New York. With the Review, Levine's talent had met its opportunity.

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