Can history come to an end? Arthur Danto has written of art entering a “post-historical” phase; he believes that the history of modern art as moving toward a state of abstraction has been fulfilled—indeed, internally exhausted. Since the 1960s, this particular “narrative,” as he calls it, has come to an end, even as the art world continues to exist, even to flourish. Although I don't like the phrase “post-historical,” I think Danto is right. I had not, however, considered this idea in relation to history understood in its traditional sense as the actions of great men and nation building.
Marina Abramovic: The Artist is Present Museum of Modern Art Skin Fruit New Museum William Kentridge: Five Themes Museum of Modern Art The social history of art in our time will not be easy to write. A daunting range of factors must be taken into account. There is now a large, heterogeneous public aware that art is big business, and it is eager to follow developments in the auction houses, the commercial galleries, and art fairs such as the Armory Show in New York and Art Basel Miami Beach.