Arthur Drexler

Arrivederci MoMA
February 06, 2006

 I. THERE IS A PARADOX AT THE heart of any cultural institution. It is that the men and women who dedicate themselves to these essential enterprises exert a fiscal and administrative discipline that has nothing whatsoever to do with the discipline of art, which is a disciplined abandon. I imagine that for anybody who founds or sustains or rescues or re-invents a museum, an orchestra, or a dance company, this tension between the institution and the art comes to feel like a natural paradox. There is always a balancing act involved, which helps to explain why the very greatest institution-builder

Mies and the Mastodon
August 06, 2001

Coming to grips with the master architect's politics.