Bashir Gemayel

“YES, SOMETIMES I GO into the room with my advisers and I start shouting. And then they say, ‘And then what?’” The question hangs in the perfectly cooled air in Sa’ad Hariri’s marble-floored sitting room, where Beirut appears as a sunlit abstraction visible at a distance through thick windows. Hariri’s father, the former Lebanese Prime Minister Rafiq Hariri, martyr of the Cedar Revolution, arches his black eyebrows from a giant poster near the sofa, looking out at his son with a sidelong, mischievous glance. “It hasn’t been a joyful trip,” Sa’ad Hariri is saying.

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The Jerusalem theater lights came on, and no man between the ages of 25 and 35 moved. We had just watched Waltz With Bashir, Israeli filmmaker Ari Folman's animated documentary about Israel's 1982 invasion of Lebanon and the subsequent Sabra and Chatila massacre. The film deals with Folman's struggle with the surreal trauma that many veterans of that conflict retain.

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