Books and Arts
The New Republic’s film critics on some of the best, under-appreciated films of 2012: Amour: Amour is as hard and bright as bone. The love it observes is intense, selfish, and nearly insane (these are the film’s greatest truths). – David Thomson, watch trailer The Deep Blue Sea: [Terence] Davies, who is now sixty-six and has made only seven films in his long career, has transformed the one-set [Terence] Rattigan play into a well-flexed film with imaginative lifts along the way.
Writing about his obsession with art books in a wonderful little volume published this year—Phantoms on the Bookshelves—Jacques Bonnet says that “Images send you on to other images, artists to other artists, periods come one after another or echo each other, all with their cargo of art works.” And so it is when I think back on remarkable art experienced in the year just past.