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Books and Arts
February 7, 2012
David Thomson
How Iran Produced the Best Film of 2011—and What Americans Can Learn From It
February 3, 2012
Rochelle Gurstein
Abstract Expressionism's Most Traditional Artist
February 2, 2012
David Thomson
David Thomson on Films: A Requiem to an Unjustly Forgotten Filmmaker
January 31, 2012
Jed Perl
How Martin Scorsese Pulls Off Hugo’s Nostalgia
January 28, 2012
Rachel Shteir
The Ass and the Meaning of Life
January 28, 2012
John McWhorter
A Horrible Production of 'Porgy and Bess'
January 27, 2012
Kenneth Turan
TNR Film Classics: American Silent Film (July 1, 1978)
January 27, 2012
David Hajdu
The Oscars’ Disgraceful Nominees for Best Song
January 26, 2012
Frank Bidart
For the AIDS Dead
January 25, 2012
Ruth Franklin
The True Lies of Totalitarian North Korea
January 25, 2012
Helen Barnard
Red Foods
January 24, 2012
David Thomson
The Ambiguous Future of 3D Movies
January 21, 2012
David Hajdu
Who Are the Real Authors of ‘Porgy and Bess’?
January 21, 2012
Stanley Kauffmann
TNR Film Classics: ‘The Great Gatsby’ (April 13, 1974)
January 18, 2012
Jed Perl
Why Curators Matter
January 17, 2012
David Thomson
Why Lisbeth Salander Beats Margaret Thatcher
January 13, 2012
Stanley Kauffmann
TNR Film Classics: ‘The Age of Innocence’ (October 18, 1993)
January 13, 2012
David Hajdu
Jazz, Age, and the NEA
January 11, 2012
Ruth Franklin
Wait, Is Miranda July’s Book Fiction or Non-Fiction?
January 11, 2012
Leon Wieseltier
Going to Melody

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