July 09, 1977
In its long and distinguished history, The New Republic is again about to break new groun: the first four fold table in a book review.
The Metropolitan Opera
August 23, 1975
New York’s Metropolitan Opera has the same function as its Metropolitan Museum of Art: to keep valuable works of the art it is concerned with availabl
April 12, 1975
Watchmen in the Night by Theodore C. Sorensen MIT Press; $8.95 "Watergate is like a Rorschach," Aaron Wildavsky observed at a Washington seminar last year.
Edmund Wilson on The New Republic
July 01, 1972
During the 1920s Edmund Wilson created for himself a special position in the republic or anarchy of American letters: he became the Sainte-Beuve of a
Choosing Supreme Court Judges
May 02, 1970
What should be the criteria for appointment to the Supreme Court? Judges of the United States Supreme Court are required—the word is dictated even mor
You Wouldn't Believe It
April 25, 1969
In his short stories over the past several years, and in his new novel, John Cheever appears to be almost helplessly carried away by the flood tides o
A Sort of Moby Dick
March 01, 1969
Early in Portnoy’s Complaint, the hero discovers that he has an undescended testicle. The image sticks in the mind, because one feels that, as a write
Government and the Corporations
July 08, 1967
The New Industrial State by John K. Galbraith (Houghton Mifflin; $6.95) Mr. Galbraith has written an economist’s version of a new constitutional order centering on the relationship of the large corporations to government. The New Industrial State is a tautly written essay, discursive and without mountains of footnotes.
Reporting on Cuba
July 08, 1967
Castro’s Cuba, Cuba’s Fidel by Lee Lockwood (Macmillan, $10) Inconsolable Memories by Edmund Desnoes (New American Library; $4.50) If only because we have had no reports from Cuba for a long time, Lee Lockwood’s book and Edmundo Desnoes’ novel are important. I am speaking of us Americans of course; Europeans go to Cuba and write about it; US-influenced Latin Americans less, but the visits of their leading writers to cultural conferences and their enthusiasm for the Cuban revolution make Havana the cultural capital of the Spanish-speaking world.