When the director of Immigration and Customs Enforcement issued a memo this summer that urged “prosecutorial discretion” in pursuing illegal immigrants, it was hailed by liberals as a step in the right direction. The memo was largely a restatement and clarification of longstanding immigration practice, but with an important new twist: It discouraged the pursuit of undocumented immigrants who would be covered under the DREAM Act, which the Obama administration favors but can’t get through Congress.
Threading through the history of the United States is a long line of reviled newcomers. In the 1850s, Irish and German Catholics were vilified by the Know Nothing movement. In the 1890s, Italians were subjected to frequent lynchings. Jews of the 1930s were excoriated by Father Charles Coughlin, Henry Ford, Charles Lindbergh, and the Ku Klux Klan. In the years following September 11, America’s 2.6 million Muslims have often found themselves facing similar kinds of hostility.
The Devil Wears Prada (20th Century Fox) Heading South (Shadow) The title fixes the place and the tone: a film that is called The Devil Wears Prada must live in the world of fashion and its diabolics. The specific place is a slick magazine called Runway, and the air around it is filled with the slash of verbal rapiers and stilettos, lunging and parrying. The screenplay by Aline Brosh McKenna, derived from Lauren Weisberger's novel, begins with reminders of a previous picture about a fashion mag, Stanley Donen's Funny Face (1957).