Egyptian presidential candidate Abdel Monem Abouel Fotouh was a leading force in the militant Islamist student movements of the 1970s; one of the Muslim Brotherhood’s point men for aiding the mujahideen in Afghanistan during the 1980s; and a member of the Muslim Brotherhood’s Guidance Office for twenty-two years.
The Carnegie Endowment for International Peace hosted a Muslim Brotherhood delegation in Washington last week to better understand how the Islamist group will govern Egypt. It was a noble attempt at promoting intercultural political dialogue—an engagement for which many in the American policy community, as well as academia, have long advocated. Yet the Brotherhood came to Washington with an agenda of its own: selling itself as a “moderate” organization to a highly skeptical American public.
The Thought Police
March 14, 2012
Silenced: How Apostasy and Blasphemy Codes Are Choking Freedom WorldwideBy Paul Marshall and Nina Shea (Oxford University Press, 448 pp., $35) I.
Is Egypt’s Government Malicious or Incompetent?
February 18, 2012
The Egyptian government’s decision to investigate pro-democracy NGOs for criminal activity and the subsequent imposition of travel bans on democracy workers didn’t just ruin the plans of the six Americans now stuck there—it sparked a severe crisis in relations between Cairo and Washington.
A Tour of Egypt’s Half-Finished Revolution
February 17, 2012
I arrived in the Egyptian town of Edfu on a Friday in early February. The temple there, a wondrous reminder of the Egyptian pharaohs’ obsession with eternity and architectural monumentalism, was eerily quiet and empty of tourists. But the silence was more than filled by the blaring sound of the Friday sermon, broadcast over loudspeakers at unavoidably high volume.
A Soccer Riot in Egypt and the Ongoing Human Catastrophe in Syria
February 05, 2012
I know that soccer can engage and enrage the senses. And doubtless there have been other occasions when sports fans have killed and been killed in the frenzy of a game … or after. In Boston seven years ago, after a Red Sox win over the Yankees that clinched the American League pennant and was being celebrated in the streets, a 21-year old college student was killed and 16 others were wounded by police trying to control the crowds.
Happy Birthday to Egypt’s Doomed Revolution
January 25, 2012
Exactly one year ago today, I stood in front of the Lawyers Syndicate in downtown Cairo and watched as a few thousand protesters suddenly streamed into the area from the north, overwhelmed Egypt’s notoriously violent riot police, and pushed onward towards Tahrir Square. That mile-long march, which culminated with the protesters bursting through a human chain of officers and seizing the Square, was the most inspiring thing that I’ve ever witnessed, and it remains so.
One Year Later: The Failure of the Arab Spring
January 24, 2012
I. A year has passed since liberal America and the liberal opinion class, in particular, went ecstatic over the Arab debut into the modern world. I know that my standing in that class is suspect. So, being a bit flummoxed myself by the not altogether dissimilar developments in the vast expanse from the Maghreb to Mesopotamia, I conquered my doubts and made a slight stab for hope. But I quickly realized that I was wrong and left the celebration.
Cairo, Egypt—Naguib Mahfouz, the great Egyptian novelist and Nobel laureate, once observed that revolutions are “plotted by the clever, fought by the brave, and profited from by cowards.” It’s a wise line that only gains further credence from the current turmoil in Egypt, where the groups best-positioned to benefit from the overthrow of Hosni Mubarak are the ones that had long tolerated his rule in silence.
The Invention of Space
December 14, 2011
Florence and Baghdad: Renaissance Art and Arab Science By Hans Belting Translated by Deborah Lucas Schneider (Belknap Press, 303 pp., $39.95) In many respects this is a bold book, first of all because of its premise: a veteran art historian dares, after half a century as an active scholar, to take another look at a classic art-historical problem—the formulation of linear perspective in fifteenth-century Florence.