Charles Rennie Mackintosh
April 11, 2005
The decorative arts have always been art history's attractive orphans. While many people have a great affection for certain textiles or ceramics, the scholarly world embraces such objects only fitfully, as if they were really somebody else's responsibility. And much of the attention that is given to the decorative arts—in the shelter magazines, in the auction catalogues, and in specialized studies of rococo hardware or medieval ceramic tiles—has an edge about it, a feverishness that can suggest overcompensation and even overkill.