Charlotte Brontë Discovered the Plain Heroine
April 21, 2014
'A misplaced chair put her out, and her imagination was at home upon volcanic-looking hills!' Appraising Charlotte Brontë's understated brilliance.
David Thomson on Films: ‘Jane Eyre’
May 06, 2011
Cary Fukunaga’s Jane Eyre opened over a month ago, but it’s staying in theaters and word-of-mouth is building. As well it might. There have been too many film adaptations of the Charlotte Bronte novel (published in 1847), and some of us have wearied of keeping up with them all. So I neglected the picture when it opened, but was stirred into action by my wife, Lucy Gray, who told me it was wonderful. She was right—she usually is.
February 09, 2004
The Rules of Engagement By Anita Brookner (Random House, 273 pp., $23.95) ANITA BROOKNER IS THE great chronicler of a particular sort of female loneliness. Her typical heroine spends most of her novel exhausted “with the tiredness of one who has too little rather than too much to do.” Someone has left her money, and so she does not work, or she works at something mostly solitary, such as translating or archiving. Her few friends are scattered, and during her rare moments among them she usually feels uncomfortable and unworthy, “like a humble petitioner, seeking an hour of their time, in wine b
Signs of the Times
July 30, 2001
John Ruskin: The Later Years by Tim Hilton (Yale University Press, 656 pp., $35) In the second volume of John Ruskin's three-volume study The Stones of Venice, which appeared in 1853, there is a chapter titled "The Nature of Gothic." It opens conventionally enough, with Ruskin promising to describe the "characteristic or moral elements" of the Gothic; but readers who were familiar with Ruskin's earlier works, Modern Painters and The Seven Lamps of Architecture, and who had been dazzled by his word-pictures of works of art and scenes of nature, could not possibly have expected a straightforwar