China

It’s just about a week since Russia and China, in a rare joint action, vetoed a European-sponsored resolution that “strongly condemns the continued grave and systematic human rights violations by Syrian authorities.” The only thing strong about this defense of civilians was the use of the word “strongly.” And, as Colum Lynch reported in The Washington Post, the resolution demanded that Damascus “cease the use of force against civilians” and grant “fundamental freedoms” to prisoners.

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A World on Fire: Britain’s Crucial Role in the American Civil War By Amanda Foreman (Random House, 958 pp., $35) The world’s biggest superpower has a problem. The citizens of a nation overseas have risen up against their tyrannical rulers, determined to claim liberty even if it takes a civil war. As the most powerful global advocate of freedom, the superpower has to admire the rebels’ cause. Should it help them? Humanitarians argue that intervention can prevent hundreds of thousands of civilians from suffering hideous state-sponsored subjugation.

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Echoes

In the autumn, everybody wonders what’s going to happen next in the arts. This is a natural feeling, a good feeling. Optimism is in the air. But if you’ve already spent your fair share of autumns waiting to see what comes next, you probably cannot avoid the echoes of seasons past, a sense, alternately exhilarating and depressing, that we are always returning to places we’ve been before.

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The most significant policy disagreement in last week’s Republican debate went almost unnoticed. The moderator asked Jon Huntsman, “What does Governor Romney not get about China?” After noting America’s economic weakness and the need to focus on our tasks here at home, Huntsman remarked, “I’d have to say, Mitt, now is not the time … to enter a trade war.” Behind this exchange lies a remarkable development. A few days before the debate, Romney’s campaign released “Believe in America,” a book-length economic plan. In most respects it summarized standard conservative positions.

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If you haven’t caught up with it yet, “The Hour” is halfway over. The fourth of six hour-long episodes will play on BBC America on Wednesday, September 7th. But don’t be disheartened. You don’t want to watch it in its original transmission because it is stretched out to 90 minutes with some especially egregious commercials. If you wait a day, you can pick it up on Exfiniti “on demand” without the commercials. Start now and you can catch up on the first three episodes, and get in training for the most complex and absorbing story playing on film (and in English) at the moment.

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Guest post by Andre M. Perry Cities’ abilities to be resilient in the face of disasters will be the primary determinant of whether they retain their population. From New Orleans to various cities in the Middle East to London; major disasters are prone to occur in urban areas because of their inequitable pasts. However, city resiliency and their consequent future success will be based on how equitable they become before and after major crisis events. By 2050, most of the world’s population will live in urban areas. The majority of those residents will be people of color.

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As they have with the Great Depression, economic historians will argue for decades about the origins of our current crisis. But, surely, we can agree that the failure of international economic cooperation in the early 1930s—and worse, the sequential adoption of beggar-thy-neighbor domestic policies—made matters worse at a time when enlightened statesmanship could have made them better for everyone. Similarly, the current crisis is not just a U.S. problem or a European problem; it is a global problem that requires a coordinated global response.

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The time has come to return to the vexatious relationship between art and politics, which was both catnip and quicksand for thinking people during much of the twentieth century. China’s ever-higher profile as global arbiter of matters artistic—commissioning major work from international architectural stars; giving the nod to a booming market in contemporary Chinese art; and all the while drastically restricting the freedom of artists and writers—leaves us honor bound to explore the tangled old alliances and misalliances between artistic power and political power.

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Kathmandu, Nepal—This fall, the world should have its first official, national head-count of people in a single country who identify as “third gender.” That’s because Nepal, the small nation crammed between India and China, has included the designation on its 2011 census, the country’s first since the fall of a Hindu monarchy and the end of an armed conflict with Maoist rebels.

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p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }span.Italic { font-style: italic; }div.Section1 { page: Section1; } As the U.S. economy fails to recover, there is a growing fear that the United States has entered a phase of long-term decline. Conservatives blame “big government” for throttling entrepreneurship; liberals tend to take aim at Wall Street.

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