Claire Denis

David Thomson on Films: 'White Material'
January 07, 2011

Film-going is a total experience, so, when I went to see Claire Denis’s White Material in San Francisco this week, I had to sit through an advertisement for visiting South Africa and having a marvelous time. I’ve seen the ad before, and it gets increasingly depressing. There is lovely scenery and a complacent couple who can’t wait to get back there to regain the best Thai cooking of their lives and the rapturous experience of seeing elephants come to drink in the evening. Go if you must. I only know that my daughter—a world traveler—says South Africa is the scariest place she’s ever been.

Stanley Kauffmann on Films: Around the World
November 10, 2010

Inspector Bellamy IFC Films Nothing Personal Olive Films White Material IFC Films It is almost as if designed. The last film of Claude Chabrol, who died in September, is such an apt example of his major gifts that it is almost as if he had planned a farewell.

Attitudes, Plus Love
October 03, 2009

David Foster Wallace’s Brief Interviews With Hideous Men has been adapted for the screen. Well, parts of it have been adapted--chiefly, the four parts that bear the same title as the book and the film. Wallace’s book is a miscellany of prose outbursts, some that soar in known styles, some that fling aside known styles, some of deliberate wildness. The book evokes much the same reaction as does Godard.

Films Worth Seeing
September 21, 2009

The Baader Meinhof Complex The giant wave of terrorism that swept Germany in 1967-1977, led by the so-called Baader Meinhof gang, is here treated intelligently,, revealingly.

Styanley Kauffmann on Films: Attitudes, Plus Love
October 01, 2000

 Brief Interviews With Hideous Men IFC Entertainment 35 Shots of Rum Cinema Guild   David Foster Wallace’s Brief Interviews With Hideous Men has been adapted for the screen. Well, parts of it have been adapted--chiefly, the four parts that bear the same title as the book and the film. Wallace’s book is a miscellany of prose outbursts, some that soar in known styles, some that fling aside known styles, some of deliberate wildness. The book evokes much the same reaction as does Godard.