Clifford Odets

Nobody had seen or heard anything like the first half of Sweet Smell of Success in 1957. It wasn’t just the way the picture went out onto the streets and into the bars of Manhattan, letting cameraman James Wong Howe get his best stuff at dawn and twilight. Film noir had made hay with darkness for ten years, but still, you didn’t get a lot of real night in American pictures.

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Arthur Miller By Christopher Bigsby (Harvard University Press, 739 pp., $35) I. Arthur Miller could hardly have hoped for a more sympathetic biographer than Christopher Bigsby. He is the director of the Arthur Miller Centre for American Studies at the University of East Anglia, and the author of a long commentary on Miller’s work and a book-length interview with the playwright.

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