A certain kind of liberalism familiar to readers of The New Republic has been stirring in, of all places, Germany and Austria. To be sure, it operates on the margins. And, yes, the impulse to appease, run for cover and all the rest lingers there as well. So, too, does the mixture of irritation, indifference, and even outright hostility to Israel.
Why Photography Matters as Art as Never Before By Michael Fried (Yale University Press, 409 pp., $55) I. Michael Fried,who shot to intellectual stardom in 1967 with an essay in Artforum called "Art and Objecthood," is an intimidating writer. He looks very closely. He has passionate feelings about what he sees. And he shapes his impressions into a theory that fits snugly with all the other theories he has ever had. Whatever his chosen subject--Diderot, Courbet, Manet, Kenneth Noland--he comes up with an interpretation that is as smoothly and tightly constructed as a stainless-steel box.