E Street Band
Before Bruce Springsteen put together the first incarnation of the E Street Band, forty years ago, he had a scrappy little bar band called Steel Mill, which played at my friend Doug Mendini’s eighth-grade graduation party. Like Springsteen, Doug and I were both literary-minded products of New Jersey factory towns (I worked for the summer before my first year of college in a steel foundry, on the late shift with my father), and a tenuous early sense of kinship with Springsteen has given me a weakness for his work.
In the dozens and dozens of shows by Bruce Springsteen and the E Street Band that I’ve seen since the early 1970s, when I was a kid in New Jersey and Springsteen was, too, I’ve found something comforting—and something discomforting—in Clarence Clemons’s presence on stage.
Sprinkling some vinegar to counteract the oily Graham Nash, David Crosby provided a bracing moment of skepticism toward the generally sanctimonious pop-star posturing documented in No Nukes, the movie centered on a series of concerts and rallies staged to protest nuclear power and nuclear arms in 1979. Pop musicians are not particularly well-equipped to speak with authority on issues such as nuclear policy, Crosby said at a press conference captured in the film; but they have a public forum, he said, and can’t help themselves.
Songs From the Labyrinth - Sting (Deutsche Grammophon) Rock and rollers, as they age, sometimes find themselves outgrowing a music they cannot outlive. Rock, a style invented for teenagers—or, more precisely, one adapted from an older style made originally for adults, the blues—endures as a bluntly, rudely cogent expression of adolescent anxiety, rage, and sexual fantasy. Long live rock and roll! The beat of the drums, loud and bold!
Bruce Springsteen's America: The People Listening, A Poet Singing By Robert Coles (Random House) Thirty years ago this fall, Bruce Springsteen released his first album, Greetings from Asbury Park, New Jersey. I knew from whence he greeted, having grown up in the same state a few years behind him.One of Springsteen's teenage bands, the Castiles, had been the entertainment at my friend Doug's eighth-grade graduation party; so when Columbia Records sent the twenty-four-year-old and his new group, the E Street Band, on a tour of midsized Northeast colleges to promote his record debut, Doug and I d
On November 10 Bruce Springsteen fans began lining up outside record stores to buy the first copies of a boxed five-record set called "Bruce Springsteen and the E Street Band Live 1975-1985." Three days later President Reagan first acknowledged reports that his administration had sold weapons to the government of the AyatoUah Khomeini in Iran. If scandal and album are a cultural coincidence, so too are the careers of Reagan and Springsteen. Both have become cultural icons by giving the American people a reflection, a vision, of themselves.