I am little enriched for having listened over the past week to most (though not all) of more than 90 songs published with Paul and Linda McCartney credited jointly as co-writers. In fact, I almost wish that President Obama had never given Sir Paul the Gershwin Prize and stirred me to reconsider this remarkably unmemorable work, much of which I had heard at one time or another over the years and appropriately forgot.
This Year's Model
October 06, 2003
North Elvis Costello (Deutsche Grammophon) Why don't we let rock stars grow up? The pop music domain is like a confederation of Never-Never Land and the Island of Lost Boys, where nobody can ever grow old and nasty behavior is the social code. It is some fifty years now since rock and roll began to emerge as a musical style and a cultural phenomenon, originally of a piece with the adolescent rebellion against postwar conservatism that the rebelled-upon used to call juvenile delinquency. The music's surviving originators—Chuck Berry, Bo Diddley, Little Richard, and Jerry Lee Lewis, most of the