I went to see Looper, encouraged or provoked by a few excited reviews I had seen, though every account of the film warned, don’t bother to understand the plot. There is even a moment when the Bruce Willis character (a generous term) says as much, while plainly offering us a tranquillizer to get through the next couple of hours. I have a simpler guide to the film’s nonsense: In the future there will be time travel, in which people still shoot at each other not just with the large guns we know and dread, but with encrusted phallic firepower that hints at a comic-book past.
Police, Adjective IFC Films The Young Victoria Apparition The Romanian director Corneliu Porumboiu shows once again that, for him, film is a means of looking at an idea. The operative word is “looking.” The subtitles of Police, Adjective convey that his dialogue is reasoned and seasoned, but it rarely seems primary. Chiefly, it enhances what we are watching. Ideas are hardly a novelty in films, but some such works present their ideas visually, as do Porumboiu’s. He provides just enough plot to assure us that he hasn’t forgotten about it.