Emmett Till

It has been fashionable in the wake of Wade Michael Page’s tragic acts in Wisconsin to speculate on whether the White Power music he listened to helped stoke him into the senseless murders he committed. Such speculations, however, are as incoherent as they are pointless—and they are marked, above all, by a cloying air of self-congratulation. A comparison with another musical genre helps put the debate into relief.

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