Michael Cera gets high, and highly annoying, in 'Crystal Fairy'
Critics, including me, have been teasing the arrival of Michael Cera's manhood—or his man-childhood, anyway—for so many years now that you’d be forgiven for thinking the actor was still a teenager, and a virgin to boot.
Woody Allen makes (his first?) moving film.
'Only God Forgives' is ludicrous
'Drive' director Nicolas Winding Refn returns with 'Only God Forgives.'
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The dramatization of the true story of a young, unarmed, black man killed by the police is—remarkably—potent, not saccharine.
Alain Resnais presents his final film. Kenneth Branagh challenges a master.
Let’s begin by admitting that this is an easy target: The movie trailer is hardly (ever?) a paragon of nuance.
The decisive experience of warfare is not victory or defeat; it is being occupied. In the Fog is about occupation and the destruction of an understanding of one’s own history—and it's also a masterpiece.
Left-wing action films can never sustain the courage of their convictions.
How war movies got small
From The Dirty Dozen to Zero Dark Thirty: How war movies got small.