The Beatles: Rock Band Guitar Hero When smug old children of the 1970s such as my friends and I get together, we play a game. We talk about the bands we loved when we were kids; we trade grumbles about the fact that music no longer seems to dominate youth culture, as we nostalgically recall the role that rock had in our past; and we try to guess what happened. I call this a game and not a discussion, because really it is diverting silliness that boils down to a competition to reach an agreed-upon goal--that is, to prove our generation’s superiority to our successors.
ON THE SEATING CHART of the creative fraternity, record producers occupy one of the rows behind film directors and in front of book editors. In recording, it is the performers who are the "artists," as the music press and the people who run the Grammys like to remind us. Producers, as a rule, are hired by record companies to produce in a fundamentally commercial sense: to supply product. The task involves extraction (from the artists), organization and supervision (of those artists and their work), and collaboration (with the artists), in varying measures; the producer's job is essentially sus