Germany

Domestic Threat
June 24, 2002

Berlin, Germany Over the past few months Americans have awakened to the right-wing, anti-immigrant nationalism growing across Europe. On April 21, far-right presidential candidate Jean-Marie Le Pen garnered a shocking second place in the first round of French elections. Barely two weeks later Dutch anti-immigrant leader Pim Fortuyn was assassinated; in elections nine days after that, his party joined the Christian Democrats (CDA) in ousting Holland's long-standing Labor government.

Not Yet the End
March 25, 2002

The Invisible Masterpiece By Hans Belting Translated by Helen Atkins (University of Chicago Press, 480 pp., $45) Never was there more optimistic nonsense written about abstract art than in Germany after World War II. Abstraction, many artists and critics hoped, would guide the German public back to universal spiritual ideals and reconcile them with European civilization. The Germans were discovering abstract art anew after long years of National Socialist philistinism.

Rights of Passage
February 25, 2002

A World Made New: Eleanor Roosevelt and the Universal Declaration of Human Rights by Mary Ann Glendon (Random House, 333 pp., $25.95) Are rights universal? Can diverse people, across religious and ethnic differences, agree about what rights people have? Might it be possible to produce agreements about the content of rights among people from different nations--not simply England, America, Germany, and France, but China, Russia, Pakistan, Saudi Arabia, India, Iran, Kenya, Egypt, Uganda, Cuba, and Japan, too? What would such an agreement look like?

Afterlife After Death
November 05, 2001

Legacies of Dachau: The Uses and Abuses Of a Concentration Camp, 1933-2001 by Harold Marcuse (Cambridge University Press, 590 pp., $34.95) Few areas of historical study are more popular today than the discussion of memory and commemoration. The historians who adopt this approach debate how people remember important events, what use consecutive generations make of the memory of these events, and why monuments tell us more about those who created them than about those whom the monument purports to commemorate. They are historians of subjectivity and culture. When their work concentrates on World

Into the Void
October 01, 2001

Is Daniel Libeskind destroying the museum?

Class Acts
September 24, 2001

Ornamentalism by David Cannadine Oxford University Press, 240 pp., $25) When Hitler wished to relax after a hard day at the office, he liked to watch films in his private screening room. Nazi propaganda movies were not his favorite entertainment; they felt too much like work. Hitler liked swashbuckling Hollywood films, and one picture in particular: Lives of a Bengal Lancer, starring Gary Cooper and C.

Jed Perl on Art: South by Southwest
September 24, 2001

Donald Judd had his share of staunch supporters. But you are likely to meet with skeptical responses if you announce that you are captivated by his magnum opus, a composition consisting of one hundred aluminum boxes that is the linchpin of the Chinati Foundation in Marfa, Texas. Chinati is where the sculptor made a permanent home for the frequently large-scale work that interested him and some of the contemporary artists whom he admired. It has an eccentric, off-the-beaten-track kind of grandeur that rubs some people the wrong way. The austere forms that Judd (who died in 1994) arranged in and

Mies and the Mastodon
August 06, 2001

Coming to grips with the master architect's politics.

Trade Barrier
July 09, 2001

Normal 0 false false false MicrosoftInternetExplorer4 st1\:*{behavior:url(#ieooui) } /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} ON FEBRUARY 25, business professor and writer Li Shaomin left his home in Hong Kong to visit

Scandal and Scholarship
July 02, 2001

I.In July 1958, La Scala, an Italian periodical devoted to news of Italian opera and musical life, published a polemical article by a young Australian musician named Denis Vaughan. Having become an assistant conductor to Sir Thomas Beecham four years earlier, Vaughan had grown fascinated by the asymmetries of phrasing, the subtle gradations of color and dynamics, the non-uniform use of staccato articulation that he felt characterized Beecham's interpretations and gave the music that passed under his baton an inner life of great power and variety.

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