March 30, 2010
Joaquín Torres-García: Constructing Abstraction with Wood San Diego Museum of Art Arshile Gorky: A Retrospective Tate Modern Anne Truitt: Perception and Reflection Hirshhorn Museum Formal values are personal values. What holds us in a painting or a sculpture is not art history but an individual’s history, some inner necessity or imperative that has been expressed through the forms available at a particular time. There are classicists and there are expressionists in every age, and the twentieth century was no exception.
The American Loneliness
December 03, 2008
Fitzgerald, eager to draw the shy, Yale-educated prep-school French teacher into his dashing retinue, arranged to have Wilder and Wilson picked up at the train station, but it was Marcel Proust who helped to smooth the way between them.
February 06, 2005
Hash of the Titans
March 03, 2003
"Matisse Picasso," the exhibition that has now arrived at the Museum of Modern Art after packing in the crowds at Tate Modern in London and the Grand Palais in Paris, begins as a sort of Butch Cassidy and the Sundance Kid for culture vultures, a study in male bonding in the artistic stratosphere that features the somewhat older, more formal Matisse and the younger, unabashedly bohemian Picasso. Later on, when the show really gets going, museumgoers are supposed to be agog at what amounts to a clash of the titans with avant-gardist sparks flying, a High Modernist love-hate-love kind of thing.
The Artist as Entrepreneur
December 14, 1987
How Julian Schnabel turned bad painting into good money.
The Vanity of "Vanity Fair"
March 21, 1983
Once upon a time—between September 1913 and February 1936—there was Vanity Fair. A quarter of a century after it folded, Cleveland Amory called it “America’s most memorable magazine,” and only a curmudgeon would quarrel with that accolade. It inspired an unusual fondness in both its contributors and its readers when it was alive, and amazingly its reputation still inspires much the same fondness in those who have never turned its pages. It is understandable that Condé Nast Publications Inc., the firm descended from the original publisher, should have been tempted to revive it.
'The Language Must Not Sweat'
March 21, 1981
A conversation with Toni Morrison.
The Power, The Glory, The Media, The Men, The Money, The Irony, The Symbols, America, The Meaning of It All.
May 05, 1979
The Powers That Be by David Halberstam (Knopf; $15) David Halberstam. Halberstam, that was what everybody called him (after all, it was his name). They always said what Halberstam needed was a good editor, his sentences ran on and on, he piled phrase upon phrase and clause upon clause, he used commas the way other men used periods.