Gwyneth Paltrow

There is a scene in Contagion, Steven Soderbergh’s global mega-pandemic thriller, in which the scalp of a dead patient—played by one of the film’s biggest stars—is sliced open during an autopsy. A flap of marbled flesh flops limply over her forehead; in the screening I attended, this was definitely the moment that elicited the most grossed-out gasps. It wasn’t the most jarring part of the movie, however. What I found way more shocking was the notion of a film in which the good guy is played by … the government. Our times are awash in the swill of anti-government paranoia.

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Worth Reading

Greenspan says taxes must rise. Bernanke backs council of regulators proposal. Gwyneth Paltrow offers some investment advice. Fiscal multipliers in U.S. have dropped sharply since 1980. Leonhardt: Let's stop arguing about the opt-out revolution.

Truth-Seekings

Proof (Miramax) Everything Is Illuminated (Warner Independent) John Madden, the English director of theater and film, is best known in this country for Shakespeare in Love, though Ethan Frome and Mrs. Brown were also exceptional. Gwyneth Paltrow is a gifted actress who needs a good director. Other directors have helped her, but her performance in the Shakespeare picture under Madden’s hand took her into new reaches.

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Love Hurts

One of the most emotionally affecting moments of Sky Captain and the World of Tomorrow comes, unfortunately, during the closing credits, when jazz vocalist Jane Monheit sings "Over the Rainbow." It's a wistful, haunting rendition that plays beautifully off Judy Garland's Wizard of Oz version, becoming at once old and new, an homage and an original. It's this challenge, of simultaneously conjuring the classics and offering something fresh and vital, that largely eludes Sky Captain, released on video today.

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