The Square and the Flair
August 02, 2012
BEFORE HE EARNED his reputation as one of the best ad men in politics, before he wrote for several major television shows, and long before he became Mitt Romney’s top campaign strategist, Stuart Stevens found himself in Cameroon, face to face with a machine-gun-wielding soldier looking to shake him down. It was 1988, and a few weeks earlier, Stevens had deposited himself in the nearby Central African Republic to pick up a friend’s Land Rover and drive it back to France. But the trip was a disaster from the get-go. Local officials confiscated the car and refused to release it.
Matters of Fate
January 29, 2007
In the otherwise brilliant opening sequence of Saving Private Ryan, dramatizing the American landings in France on D-day, Steven Spielberg made one small slip. He completely engulfs the viewer in the American assault; but when we are thus immersed, he inserts a brief clip of German machine-gunners firing at the Americans. This complete switch in view cracks our involvement. It takes a few seconds to become American-absorbed again. Knowingly or not, Clint Eastwood has converted the Spielberg slip into a triumph.