Hadewijch IFC Films When We Leave Olive Films If I Want to Whistle, I Whistle Film Movement The films of the French director Bruno Dumont have earned him, besides two Cannes Festival prizes, a reputation for brutality. He has often used his manifest talent to burrow into moral darkness. But the new work that he has written and directed, Hadewijch, is a spiritual odyssey—the travails of Céline, a twenty-year-old theology student, in her search for further envelopment in God.
Mademoiselle Chambon Lorber Films The Father of My children IFC Films Some situations in film stories are so common that, when a film character enters one of those situations, he must be reminded of a similar moment in a picture he himself has seen. For prime instance, an extramarital affair. When such an affair looms in Mademoiselle Chambon, the viewer can’t help feeling that the two people sense they are beginning to repeat a film.
Quiet Chaos -- IFC Films The Girl From Monaco -- Magnolia Pictures Nanni Moretti, treasured in Europe, is scarcely known in the United States. This schism usually happens with film people whose work is strapped culturally to one country, but Moretti's writing and directing and acting are not only celebrated in Italy, they have prospered elsewhere. Not here, however, though his strongest concern is human commonality. Sometimes, in a career that began in 1973, he has appeared in films directed by others. This is true of his latest, Quiet Chaos.
A Christmas Tale -- IFC Films Wendy and Lucy -- Oscilloscope Pictures Every director needs at least some courage, but Arnaud Desplechin has quite a lot. With his new film, A Christmas Tale, he bravely took on a trite form, hoping that he could vitalize it. He succeeds. He also gave the picture a title that risks the corny, apparently sure that it would come to seem ironic. Eventually it even transcends irony. Born in Roubaix, an industrial city in northern France, Desplechin, with coauthor Emmanuel Bourdieu, sets his story there.
Ballast (Alluvial Film Company) Elite Squad (IFC Films) Still another extraordinary new American director comes along--the third in just a few months. After Courtney Hunt with Frozen River and Chris Eska with Autumn Evening, here is Lance Hammer with Ballast. Though these three directors have little in common stylistically, all three of their films deal with working-class people. Hammer's film, which he also wrote and edited, is his first feature. Set in the Mississippi Delta, its three principal characters are black, yet the first person we see is white.