Isabelle Huppert

Five Dramatic Actors Who Should Be Comedians
Colin Firth would look so fetching in drag
February 24, 2014

Colin Firth would look so fetching in drag.

What's Isabelle Huppert Doing in This Third-Rate Thriller?
'Dead Man Down' and the inanities of Hollywood casting
March 11, 2013

"Dead Man Down" is dark, nasty, violent, and laughably boring. It also features one of the best actresses in the world.

David Thomson on Films: Remembering Marie-France Pisier
May 09, 2011

She drowned in her own swimming pool in the south of France, aged 66. Marie-France Pisier had an immense, composed beauty, with a marble air of absolute assurance. In her brow and her gaze, serenity seemed on the point of becoming a mask. But she was made for drama, and even melodrama. Though she had the look of a Parisian socialite, so much about her was unexpected: She was born in Dalat, in Indo-China, the daughter of a French colonial governor. In fact, she only came to live in France at the age of twelve.

David Thomson on Films: 'White Material'
January 07, 2011

Film-going is a total experience, so, when I went to see Claire Denis’s White Material in San Francisco this week, I had to sit through an advertisement for visiting South Africa and having a marvelous time. I’ve seen the ad before, and it gets increasingly depressing. There is lovely scenery and a complacent couple who can’t wait to get back there to regain the best Thai cooking of their lives and the rapturous experience of seeing elephants come to drink in the evening. Go if you must. I only know that my daughter—a world traveler—says South Africa is the scariest place she’s ever been.

My Novel, My Novel
December 08, 2010

Mourning Diary By Roland Barthes Translated by Richard Howard (Hill and Wang, 261 pp., $25) The Preparation of the Novel By Roland Barthes Translated by Kate Briggs (Columbia University Press, 463 pp., $29.50)   I. In retrospect, Roland Barthes once observed, his career as an intellectual began with the modest aim of revolution: It seemed to me (around 1954) that a science of signs might stimulate social criticism, and that Sartre, Brecht, and Saussure could concur in this project.