Joanna Moukarzel

Realisms
February 13, 2008

Caramel (Roadside Attractions) Woman on the Beach (New Yorker) The Silence Before Bach (Films 59) HOW SADDENING some films can be, no matter what their subjects are. In the 1950s and 1960s, when Spanish films by Saura and Bardem and others arrived here, their strengths were irresistible, but it was impossible to forget the dark contrast between the films and the country from which they came.