Colin Firth would look so fetching in drag
Colin Firth would look so fetching in drag.
Whatever respect you feel for Clint Eastwood, Leonardo DiCaprio, or even Warner Brothers (its distributor), I think you know that a $35 million dollar movie about J. Edgar Hoover, running over two hours (it often feels longer), is going to face this issue: Are we going to see Hoover in drag? You can argue that many things about this man are more important, but a movie is a movie. It depends on things it can show us, and this one runs the risk of “explaining” Hoover’s vicious pursuit of power (or his overcoming of insecurity) in terms of sexual repression.
Police, Adjective IFC Films The Young Victoria Apparition The Romanian director Corneliu Porumboiu shows once again that, for him, film is a means of looking at an idea. The operative word is “looking.” The subtitles of Police, Adjective convey that his dialogue is reasoned and seasoned, but it rarely seems primary. Chiefly, it enhances what we are watching. Ideas are hardly a novelty in films, but some such works present their ideas visually, as do Porumboiu’s. He provides just enough plot to assure us that he hasn’t forgotten about it.