Julian Schnabel

The Brucennial Frieze New York Stanley WhitneyTeam Gallery Owen GrayBlue Mountain Gallery Jeff WallMarian Goodman IN RECENT MONTHS, people who are avidly engaged with contemporary art have been checking their pulses so often that I can only conclude they are worried about their vital signs, not to mention the health of the galleries, museums, auction houses, art fairs, and sundry publications that help to sustain them. These health checks have become global in nature, with frenzied reports arriving from galleries in Beijing, auctions in Hong Kong, an art fair in Abu Dhabi.

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Young Rebels

The Sicilian Girl Music Box Films Jean-Michel Basquiat: The Radiant Child Arthouse Films Long ago it expanded into other places, but to think of the Mafia is to think first of Sicily. Partly, of course, this is because of the many films about the Sicilian Mafia, so many that they constitute a genre, and none of which, as far as I have seen, has been less than good. Now comes The Sicilian Girl, which sustains the genre in expected and unusual ways. The expected ways, shamefully gripping, are, as always, the threats and businesslike killing.

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How Julian Schnabel turned bad painting into good money.

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