There is a passage in Howard Hawks’ Bringing Up Baby in which David Huxley (Cary Grant) and Susan Vance (Katharine Hepburn) are lost at night in the forest of Connecticut searching for a leopard called Baby and a fox terrier named George. If you don’t know the picture, don’t bother to ask, “Why a leopard?” Your every instinct is correct—there are (and should be) no leopards in Connecticut. Yet there might have been. We know now that the ingenious German plan to have a U-boat unload a cargo of fierce cats on that state’s shore in 1942 was aborted only at the last moment.
TNR Film Classic: 'A Sea of Grass' (1947)
April 14, 2011
I find my feeling for Spencer Tracy and Katharine Hepburn is a mixture of personal respect and professional regret.
Stanley Kauffmann on Films: Unflinching
September 24, 2001
Comparisons and pigeonholes are first aids for critics. Examples: "Mr. A's film treats the same theme as Mr. B's, but it doesn't [or does] surpass it." And: "Mr. A's film is one more of the line that began with Mr.
TNR Film Classic: 'Long Day's Journey Into Night' (1962)
September 24, 1962
Long Day’s Journey into Night (Embassy) Eugene O'Neill's Long Day’s Journey into Night is the full statement of the early autobiography that he had disguised and used partially in several plays. Beyond the Horizon (1918) is about two brothers, one of whom is tubercular; the doomed couple in All God’s Chillun Got Wings (1923) have his parents' first names; other plays contain further references and derivations.