Only the other day, Lena Dunham had her twenty-sixth birthday. I mention that not to play on your guilt about forgetting to send a card. But I do want to note that when she made her feature film Tiny Furniture, she can’t have been more than 23. That’s two years younger than Orson Welles when he made Citizen Kane. Now, don’t get me wrong. Citizen Kane is more interesting and more fun.
It's not that she lied. It’s that when Lena Horne told Rosie O'Donnell, "I like show business," she was being truthful only in small part. The occasion, a talk-show interview to promote a charity for singers, was one of very few interviews Horne did in the years before her death this week, at 92, and, for the sake of a good cause, she allowed herself to say something that she had devoted her final decades to disproving. As she went on to make plain, Horne cared deeply about singers, and she loved the art of music.