Mamie

The Animator

Charles Dickens Michael Slater Yale University Press, 696 pp., $35 I. For a long time, everyone has known that Paris was the capital of the nineteenth century, the city where the modern was invented: the society of the spectacular. But everyone was wrong. The capital of the nineteenth century was London. Think about it. Walter Benjamin’s symbol of the Parisian modern was the arcade. The arcade! In London-according to the social campaigner Henry Mayhew, there were 300,000 dustbins, 300,000 cesspools, and three million chimneys.

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The 1956 campaign began in an atmosphere of political uncertainty. A good deal of water had gone over the dam since Eisenhower had discounted Communism as a major political issue in the United States. In the interval McCarthyism had been killed off.

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