March 08, 2010
Leave it to the Oscars to frustrate me even when they’re properly awarded. On Friday, I loudly declared my belief in inavataribility, arguing that, given the Academy's lifelong emphasis on movies' commercial success, there was no way it would give Best Picture to a $12.6 million-grossing indie (The Hurt Locker) over a well-reviewed juggernaut that made 50 times as much (Avatar). On Sunday, it gave Best Picture to a $12.6 million-grossing, etc., etc. How did this act of cinematic sanity come about?