Martin Scorsese

I'm Not Here
‘I’m Not There’ ignores the cost of Bob Dylan’s transformations
November 21, 2007

How can you pack a life as multifarious and contradictory as Dylan's into a biopic without blasting the whole glib genre to smithereens?

Themes and Schemes
October 30, 2006

The Departed (Warner Bros.) Black Gold (California Newsreel) Of course Martin Scorsese has varied interests—remember The Age of Innocence and The Last Temptation of Christ—but it seems fair to say that his chief subject is crime. He was reared in Manhattan’s Little Italy, where, he has said, “There were two kinds of people who commanded respect, apart from parents. There were the mini-godfathers, who controlled the neighborhood, and the priests.” His films have dealt less with the priests.

TNR Film Classics: The Case Against Hollywood (April 10, 1995)
April 10, 1995

I. I just got back from Hollywood, where I had breakfast with Ricardo Mestres at the Bel Air Hotel. Mestres shot from Harvard to the head of Disney’s Hollywood pictures, only to release a string of flops so unremittingly horrible that finally, after a deathwatch that seemed to go on for years, he lost his job. But there he was, with a spanking new title, dressed with casual confidence in khakis and a plaid shirt, working on his second breakfast of the day. The head of Warner Brothers’ film division sat across from us, the new chairman of Disney in the corner.

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