Medgar Evers

‘The Help’ Isn’t Racist. Its Critics Are.
August 17, 2011

In the week since its release, The Help, a movie telling the story of a group of black maids in the South in the early 1960s, has been derided repeatedly in blog posts and reviews as a lazy collection of racist tropes, an irredeemable expression of naive bigotry. In an article in the New York Times, film critic Nelson George condemns the filmmakers for failing to properly “come to terms” with America’s racist past.

The Bloods and the Crits
December 09, 1996

During the past decade, an academic movement called critical race theory has gained increasing currency in the legal academy. Rejecting the achievements of the civil rights movement of the 1960s as epiphenomenal, critical race scholars argue that the dismantling of the apparatus of formal segregation failed to purge American society of its endemic racism, or to improve the social status of African Americans in discernible or lasting ways. The claim that these scholars make is not only political; it is also epistemological.