Michelle Pfeiffer's Evolution: From 'Scarface' to 'The Family'
September 13, 2013
Suppose I asked, do you want to meet “Michelle," what would you expect? You might wonder, “Does he mean the first lady?” But the more you think about “Michelle,” the younger the name seems.
David Thomson on Films: How Johnny Depp and Tim Burton Became Shadows of Their Former Selves
May 15, 2012
The only reason to see Dark Shadows is to discover how dire and pointless—how flat-out dreadful—a movie can be even when it has Tim Burton, Johnny Depp, Michelle Pfeiffer, and Helena Bonham Carter attached to its flimsy pretext. This is one more vampiric concoction, the total budget for which (apparently $105 million) might have sustained 100 worthwhile, independent projects by new directors.
TNR Film Classics: ‘The Age of Innocence’ (October 18, 1993)
January 13, 2012
The basic trouble with Martin Scorsese’s The Age of Innocence (Columbia) is Edith Wharton’s novel. Looking back fifty years in 1920, Wharton conceived a tale of love versus honor set in New York high society of that past era, and she embodied it in a full-dress novel. But her material would have served only as a short story, at most a novella, for Tolstoy or Chekhov. What helps to sustain Wharton’s more extended treatment is the attractive prose in which she wraps her narrative.