Miller

A few weeks ago on this site, Mark Bowden said the movie Argo was “brilliant” and “captures the moment [of the Iranian hostage crisis] perfectly. It is a movie about a small charade played out in the middle of the larger one, the rescue of six Americans who walked away from the [American] embassy on the day of the takeover and hid inside the Canadian embassy.

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[Guest post by Noam Scheiber:] Per this excellent Times story, it appears that Palin's opposition to just-defeated Alaska Senator Lisa Murkowski stems not from ideological differences or even tactical disagreements but ... a personal slight: Many people expected Ms. Palin to run against Ms. Murkowski herself once 2010 arrived, but Ms. Palin made a point of saying she would not. Fresh off the newfound fame created by the 2008 presidential campaign, she created a political action committee and made a show of donating to Ms. Murkowski’s campaign in early 2009. A few months later, Ms.

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Star: How Warren Beatty Seduced America By Peter Biskind (Simon & Schuster, 627 pp., $30)   Warren Beatty has not done a lot for us lately. Town and Country, his last movie, was nine years ago. The absence is such that some of his old associates have concluded that he may be happy at last. But I doubt that such a hope lingered more than a few seconds: Beatty’s entire act has been the epitome of dissatisfaction.

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Short Cuts

Robert Altman: The Oral Biography By Mitchell Zuckoff (Knopf, 592 pp., $35) Here is your exam question: who is the last American movie director who made thirty-nine films but never won the Oscar for best director? Name the film by that director that cost the most money, and name the film of his that earned the most. Clue: The Departed, which must have been around Martin Scorsese’s thirtieth picture, and did win the directing Oscar, cost $90 million (four times as much as any of this man’s films cost)--so don’t go that way.

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Arthur Miller By Christopher Bigsby (Harvard University Press, 739 pp., $35) I. Arthur Miller could hardly have hoped for a more sympathetic biographer than Christopher Bigsby. He is the director of the Arthur Miller Centre for American Studies at the University of East Anglia, and the author of a long commentary on Miller’s work and a book-length interview with the playwright.

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